The wandering Jew
Finally got around to watching "The Pianist" last night. I'd been intentionally avoiding it due to my lack of interest in watching another Jew-triumph-of-spirit story. I've watched pretty much the same storyline countless times. I am not trying to sound callous, but I've seen the story, appreciated it, and now am looking for another angle. Here is the equation: Some souless, mindless, evil group of German Nazi soldiers storm an unsuspecting city during a beautiful Spring day in 1941. Usually by this point, the filmmakers have already established some blossoming Jewish romance and a loving Jewish family complete with a young newborn. Soon enough, the soldiers are ripping the families apart, separating old from young, husband from wife, and mother from child. Here we are introduced to the traditional scene of the new mother screaming insanely as the heartless Nazi soldier steals her baby. The mother has to be held back by her parents. Then the mother crumples to the ground, too horrified to stand. Next, we cut to the scene of people in the crowd being randomly shot in the head by the aformentioned evil Germans, who snicker and laugh as they do so. Final scene is of the crowd of Jews being shoved and beaten into a train car by these same inhuman Germans. The train doors are slammed shut, finally quieting the chaotic screams and cries of everyone. The German soldiers turn around and start to shoot the rest of the people randomly, laughing and giving each other high fives as they do so.
Then we move on to the triumph of the human spirit part of the story. Our hero (in this case Adrien Brody) uses his courage and enduring passion for something (in this case, the piano, though you can insert anything here, such as his wife, child, shoemaking business, etc.) to persist through the agony and incomprehensible pain of the Nazi occupation. Ultimately, he triumphs, and the movie closes on our hero reunited with his passion.
Now, again, I don't want to sound insensitive to the subject matter, but this story is as generic as a Hugh Grant/Sandra Bullock romantic comedy. I've seen it so many times, it has lost its emotional value. I don't care what the subject matter is, at least approach it creatively. It isn't the history itself, it is the way it is portrayed in movies. Show me something new. As example, the whole ripping apart the families at the train station scene is old. Film it from a different perspective, such as through the eyes of a German soldier or little kid or local whore or something.
Also, I get tired of the cliche portrayal of characters. The Nazis are all bad, horrible, soulless assholes who shoot people randomly without any remorse. Now, I am sure a few of them were like that, but everyone? Where are the German soldiers who were just trying to stay alive themselves, and didn't agree with the Nazi ideals? From all the reading i've done on WWII, that was a lot of them. And the Jews are always portrayed as intensely generous, selfless, loving angels who don't have a single flaw. I mean, people are people. Some of them had to be assholes. Am I wrong? Where are they? Some of them probably tried to sell the other ones out to save their own skin. Some of them were probably annoying. They never show these ones.
In truth, I want to see a story about the Holocaust without as much of the emotionalism and melodrama. I want it to be realistic. I want people to be like people really are. I want to see Adrien Brody bitching at everything that exists, mad at God and Germans and Jews and everything else. I don't want it to be the perfect example of goodness fighting the perfect example of evil. Stop worrying about how to tug on my heart strings and just show me people as they really are. My heart strings will be tugged in the process. I mean, there is so much you can do with the subject matter. Why go back to the same cookie cutter mold?
And what about other triumph of the human spirit topics. Aren't there people in Indonesia who have triumphed over pain? What about people in Africa. I know Pol Pot exterminated millions of Cambodians in the seventies. Where is that story? Let me see some of those so I can learn something new.
Suffice to say, "The Pianist" sucked as far as I was concerned. Cliche story, reviewing very powerful history topic with little insight. It won the awards it did only cause the Jews own Hollywood. If you wanna see a real movie about the Jewish/Nazi story, watch a new movie called "Max" with John Cusak. Now, that was an intelligent movie with some insight. It must have been funded by Catholics.